Through my works I have found a way to reconnect with my source, that being my Bulgarian heritage where I endeavour to explore Bulgarian culture; inviting the viewer to submerge into the limitless sea of mysteries, rituals and realities existing beyond the being everyday life.
This has acted as the catalyst for my interest in Balkan folklore and magic which often offers a glimpse into a cosmic realm which exceeds the limits of any visual language or the seemingly restricted nature of national identity. Through my works my ultimate goal is to transform and implement ideas from mythology, rituals and everyday practices, that are present in Bulgarian belief system and traditions.
However, these ideas reflect the inner world of our nation as part of a greater consciousness, that is universal to us all. Using traditional elements and objects from my heritage, decoding embroideries and psychedelic ceramics, I have formed a visual cluster of my ideas. And although the reference point in my works has Bulgarian origin the narrative and symbolism can and should be viewed and interpreted as not being representative of any specific culture.
The very essence of our world is woven out of symbols and embedded hidden patterns. Through my research and process, I have come to understand that, since Ancient times, there have been and remain, clusters of symbols and ideas that emerge in different cultures. The closest manifestation of these ideas has been through mythology and folklore, which is also reflected in the ceremonial and ritualistic nature of these practices.
I believe that is nothing random and everything is interconnected, so we can trace one thing to another through the invisible threads that weave the fabric of the world. As much as my works stem from a very specific cultural region, they relate to universal symbols and the most interesting part of this for me is how these are translated into our life and everyday objects.