‘Visions from the Lost Garden’ by Caitlin Hackett

£400.00

Artist: Caitlin Hackett
Title: ‘Visions from the Lost Garden’
Medium: Watercolour, Acrylic, Pen & Ink on Paper
Dimensions: 9” x 9”
Framing: Unframed
Year: 2018
Artwork Will Ship From: USA

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Description

‘Visions from the Lost Garden’ by Caitlin Hackett

Artist: Caitlin Hackett
Title: ‘Visions from the Lost Garden’
Medium: Watercolour, Acrylic, Pen & Ink on Paper
Dimensions: 9” x 9”
Framing: Unframed
Year: 2018
Artwork Will Ship From: USA

About the Artist:

(Artist Bio)

Caitlin Hackett’s passion for the natural world has inspired her art since she first put pencil to paper as child. Hackett grew up on the northern coast of California, between the cold Pacific ocean and the redwood forests. It was there that her love for nature and wilderness flourished. As she has grown Caitlin has combined her love for animals with an interest in both wildlife biology and mythology, to create artwork that speaks to the current biological mythos that constructs the barrier between what is considered ‘human’, and what is considered ‘animal’.

Mirroring ancient myths of transformation, often in grotesque ways, we find in contemporary times that animals are being transformed biologically due to interactions with human pollutants; there are frogs with triplicate legs and blind eyes, cows with shriveled sets of legs growing out of their backs, two faced piglets being born on factory farms and radioactive fish rotting from the inside in poisoned seas, the list goes on. Caitlin Hackett is interested in the power of these mutations, both for their mythological allusions as well as their dire environmental implications. Her hope is to remind those who view her artwork that we too are animals, embedded in this fragile world even as we poison it.

Hackett’s art alludes to the boundaries that separate humans from animals, both physically and metaphysically, and the way in which these boundaries are warped by science, mythology and religion alike. Like the gods of so many myths, humanity has warped the world into our own image, and it is this often frightening image that Caitlin hopes to reflect in her work.